Saturday, January 16, 2016

Classical Temple

Greek sculpture and architecture reached their height of perfection during the Classical period. Greece embarked upon a period of peace—albeit short-lived—and turned its attention to rebuilding its monuments and advancing art, drama, and music. The dominating force behind these accomplishments in Athens was the dynamic statesman Pericles. His reputation was recounted centuries after his death by the Greek historian Plutarch. On the one hand, Plutarch described the anger of the Greek city-states at Pericles’ use of funds that had been set aside for mutual protection to pay for his ambitious Athenian building program. On the other hand, Plutarch wrote glowingly about postwar Athens: “in its beauty, each work was, even at that time, ancient, and yet, in its perfection, each looks even at the present time as if it were fresh and newly built. . . . It is as if some ever-flowering life and unaging spirit had been infused into the creation of these works.”

After the Persians destroyed the Acropolis, the Athenians refused to rebuild their shrines with the fallen stones that the enemy had desecrated. What followed was a massive building campaign under the direction of Pericles. Work began first on the temple that was sacred to the goddess Athena, protector of Athens. This temple, the Parthenon, became one of the most influential buildings in the history of architecture.
Constructed by the architects Ictinos and Callicrates, the Parthenon stands as the most accomplished representative of the Doric order, although it does include some Ionic elements. The Parthenon has stood atop the Acropolis of Athens for nearly 2,500 years and was built to give thanks to Athena, the city's patron goddess, for the salvation of Athens and Greece in the Persian Wars. The building was officially called the Temple of Athena the Virgin; "Parthenon" comes from the Greek word parthenos, "virgin."
Throughout its long life, the Parthenon has functioned most importantly as a Greek temple, but has also been a treasury, a fortress, a church, and a mosque. Today, it is one of the most recognizable icons and popular tourist attractions in the world.
Replacing an older temple destroyed by the Persians, the Parthenon was constructed at the initiative of Pericles, the leading Athenian politician of the 5th century BC. It was built under the general supervision of the sculptor Phidias, who also had charge of the sculptural decoration. 
The temple was still intact in the 4th century AD, but by that time Athens was no more than a provincial city of the Roman Empire with a glorious past. Sometime in the 5th century the great statue of Athena was looted by one of the Emperors, and taken to Constantinople, where it was later destroyed, possibly during the sack of the city during the Fourth Crusade in 1204.
The subsequent history of the Parthenon is interesting and shocking. It was used as a Byzantine church, a Roman Catholic Church, and a mosque. The Parthenon survived more or less intact, although altered by these successive functions, until the seventeenth century, when the Turks used it as an ammunition dump in their war against the Venetians. Venetian rockets hit the bull’s-eye, and the center portion of the temple was blown out in the explosion. The cella still lies in ruins, although fortunately the exterior columns and entablatures were not beyond repair.­


Friday, January 15, 2016

Boy King

In our Art History class, we learned about the Arts of the Ancients. The reporters discussed how people showed the happenings during those time. We knew what was the style, form and content people used in the artwork. We also knew the history behind in every artwork. Every artwork has their history or background behind on it. One artwork stuck on my mind and that was King Tut’s Mask.

King Tut


Probably one of the best known pharaohs of ancient Egypt, Tutankhamun was a minor figure in ancient Egyptian history. The boy king of the 18th Egyptian dynasty was the son of the powerful Akhenaten (also known as Amenhotep IV) and most likely one of Akhenaten's sisters. His short reign of eight to nine years accomplished little, but the discovery of his nearly intact tomb in 1922 has led many to attempt to unravel the mysteries of his life and death.

The Ancient Egyptians were obsessed with the prospect of life after death - the eternal afterlife. The Ancient Egyptians used elaborate masks to great effect. Egyptian masks were generally used as Death Masks and Ritual Masks. The fabulous King Tut Mask was a death mask. Royal death masks or burial masks such as the fabulous death mask of Tutankhamun, the boy King Tut, were made of gold in the image of the deceased. The King Tut mask was used to cover the face of the mummy of the pharaoh and ensure that his spirit would be able to recognize the body.

Here are some description behind the mask:
                                             

The Nemes, Cobra and Vulture
The design depicts the traditional nemes headdress. The nemes was the striped head cloth which would have been worn by the Pharaoh Tutankhamun. The nemes was worn tight across the forehead and has lappets falling forward over each shoulder. The top of the nemes displays the uraeus and the vulture on the brow. The uraeus was a rearing cobra emblem associated with the "eye" of the sun and meant to protect the pharaoh by spitting fire at his enemies. The cobra snake and the vulture were emblems of the deities Wadjet and Nekhbet. The goddess Wadjet was the patron goddess of Lower Egypt and was associated with the land where the cobra was present. The goddess Nekhbet (the embodiment of Hathor) was the patron goddess of Upper Egypt and was associated with the vulture. These two goddesses were together known as the 'two ladies of the pharaoh' whose special purpose was to protect the Pharaoh. The figures of a vulture and a cobra therefore sit on the king's forehead on the nemes headdress. The headdress has yellow stripes of solid gold, broken by bands of glass paste, coloured dark blue imitating lapis lazuli.


The Beard of the Pharaoh
The King Tut mask depicts the boy king wearing the traditional false beard of the Pharaoh. Beards were considered to be sacred to the gods and therefore the Pharaohs. The false beard depicted on the King Tut Mask was therefore a divine symbol of the gods, emphasizing his status as a living god. King Tut would have worn the false beard of the Pharaoh on important religious and other ceremonial occasions.




The Crook and the Flail
The King Tut mask shows Tutankhamun holding the Crook and Flail which were part of the royal regalia and the symbols of kingship. The crook and flail are shown in images of the god Osiris, lord of the underworld and this was imitated by the divine pharaoh. The crook was called the hega and flail was called the nekhakha are made of cylindrical sections of dark blue glass, obsidian and gold mounted on a copper rod.



What I’ve learned in this topic is that it’s not easy to become a ruler. At a very young age, King Tut ruled the Egypt. Being a leader is a responsibility to the community and to the society. King Tut was the youngest ruler of all times. It’s quite hard to be a leader. There’s a lot of responsibilities that you need to handle. There’s a lot of things that you need to sacrifice. And in King Tut’s situation, he did his best to make the Egypt to become successful.